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supported by 31 fans who also own “The Executioner”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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supported by 28 fans who also own “The Executioner”
Thanks to the nice-endof-year-offer I came to fill this gap in my private worm collection (a, pardon me, worm hole, so to speak :-)) Wonderful reminiscence to many good things past (Canterbury, 70s prog, folk rock) with a good sense of humour and great ideas (both in the songwriting & in the arrangements) .
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supported by 21 fans who also own “The Executioner”
Though only their third studio album release, these veterans have been around for almost fifteen years--and they keep getting better with each release--which is hard to manage since their quality of compositions, performances, and production have always been top notch. A band that really should be heard!
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The Earth Is Not a Cold Dead Place
by Explosions in the Sky
Every day until a Covid vaccine is found, Temporary Residence makes one of its records Name Your Price. Today’s is a classic from EitS.
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Michelle Blades - Visitor
by Michelle Blades
Wrenching indiepop heavy on synths and stormy melodies make for an LP that feels profound in its vision.
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Mogwai return with a soundtrack to the upcoming film “Kin,” delivering moving songs with emotional gravitas.
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